Flatliners: Contemporary Fiction in a Nutshell
November 12, 2018
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The 1990 film Flatliners has the interesting premise of sins brought to life by near death ruined by smug smarmy-pants loser writers. What are the ultimate sins? Playground bullying and serial womanizing by attractive/popular people that will go on to become successful in life. Chad finally gets his comeuppance!
To throw in one final fedora twirling insult to this steaming pile of angsty resentment, the atheist played by Kevin Bacon is the one that has the brilliantly Christian idea of seeking out those he had sinned against in order to make things right.
Socially stunted atheist gamma males just naturally know how to Christian better than anybody else. This is simultaneously proof of their superior intellects and also a refutation of Christian “superstition”. Genius!
Such people have no concept of the besetting sins women typically face. Therefore, the Julia Roberts character’s awful AWFUL sin is… discovering her war hero father’s secret shame when she was a child– as if women don’t sin, they are merely damaged by their proximity to men.
This isn’t really art or culture or storytelling in any real sense. It’s merely a mechanism for broadcasting the exact same narrative points that academia and journalism pound away at day in and day out. It corresponds to neither reality nor human nature and thus amounts to little more than just another insipid attack on both the imagination and the soul.